Archive for the ‘Apple’ Category

Future of Web, Interactive, and Motion Graphics: Eisner Museum Talk

Monday, February 8th, 2010


On Wednesday, four panelists spoke at the The Eisner American Museum of Advertising & Design about the broad topics of Web, Interactive and Motion Graphics. I was lucky enough to be one of the participating panelists and it was an exciting opportunity to talk with people in the community about the options, future, and general information concerning these areas of the creative world.

We had a good turnout of about 50 people. Most of the attendees were students at MIAD and MATC, not surprising since the event was part of the College Lecture Series, but there were also some professionals from the community there.

It was an interesting time as the four panelists had a great variety of experiences and focus that they brought to the discussion. The panelists were Micah Eberman of Fullhouse Interactive, Jason Evans of GS Design, Nick Waraska of Blend Studios, and me (Alexander Lucas of C2 Graphics and Stamm Media). The experiences touted included: high-end broadcast motion graphics, interactive websites, iPhone apps, trade show displays, and flash applications.

The panel agreed for the most part on the prepared questions concerning whether you need to continue to educate yourself, where to find the sites, and the importance of knowing broad skills but also specializing in a specific skill.

One topic brought up at the panel, of no great surprise, was the question of the future with the iPad and other tablet computers. There was again mostly consensus on this issue that while the iPad does not support Flash that it would not be an instant Flash killer and that it will take a long lumbering time for the internet to fully embrace HTML 5.

The two biggest questions which split the panel, however, concerned the role of social media and the future of the web/interactive/motion graphics space. Some of the panelists saw social media as being of the most importance and something that is the wave of future revenue and expression, while others admitting not really having a firm grip on where to proceed in this realm and what to do with it.

The only main consensus in the future debate: a sense of uncertainty of exactly what will happen. But that is what makes the future so interesting. We can still be surprised and be creative with emerging technologies.

Create ringtones for your iPhone for free using GarageBand

Thursday, September 24th, 2009

Learn to create ringtones for your iPhone using Apple’s GarageBand. While you can create a ringtone from any mp3, protected .acc files that you have purchased from the iTunes store will not work with this method.

Snow Leopard Desktop Images

Tuesday, July 28th, 2009

The website UneasySilence has released all 35 desktop wallpaper images that will be included with Apple’s newest operating system Snow Leopard (10.5) due to be released this September. All of the images are full 2560×1600 resolution!

Final Cut Studio 3 Released

Thursday, July 23rd, 2009

I feel required to write something quick about this release.  For all those using this popular software, here are my quick impressions.

Positives:

  • Improved Speed Control in Final Cut (they have been lacking)
  • Greatly improved integration with Color (1st version of Color was somewhat of an eyesore compared to the suite)
  • Greatly improved 3D capabilities of Motion (still not After Effects)
  • Burn DVDs and Blu-rays straight from Compressor

Negatives:

  • STILL NO BLU-RAY MENU OPTIONS OR BURNING FROM DVD STUDIO PRO (sorry about the yelling, but this bugs me)
  • No other upgrades to DVD SP.  Random prediction, but I think Apple is looking to dump this program completely.  It has not been seriously updated in like 6 years (not cited).
  • For those of you that liked LiveType – get used to Motion.  It looks like LiveType has been removed as a stand alone program. (this is actually a plus in my book)
  • 50 GB load of entire studio with the extras.  For those who think Adobe is bloated…if you have this and Creative Suite on the same computer you better have a lot of storage space.

Final Verdict: *shrug*

If you use Motion for your motion graphics, I would definitely say upgrade.  The same goes if you are doing FCP workflow and use Color to do color correction and grading.  Otherwise, not sure how worth it it is, though at $300 for the upgrade, I suppose you might as well.  Would have definitely liked to see some improvements to DVD SP and maybe some other features like the audio transcription that Adobe has been putting into Premiere/Soundbooth/Media Encoder.

I am a little interested in jumping back into Motion, since I have not really seriously used it since the first version of the program.

Let me know if you have any questions or comments.  If you get it and try it, let me know if there is anything really big that I am missing here.

Here is the official Apple site: http://www.apple.com/finalcutstudio/

How To Use The Best 40 Features of iPhone 3.0

Wednesday, June 17th, 2009

Here is a great blog from ISmashPhone about the top 40 features in the iPhone 3.0 software release coming out June 17th, 2009. They cover the features and give brief how-to’s on using them.

Keynote 09

Monday, January 12th, 2009

As a designer, I use the Adobe Creative Suite on a daily basis, however there are some projects that require me to use other apps. One of those that come up more frequently than most is creating a presentation or slideshow.

Now I know what you are thinking – PowerPoint right? Nope. Keynote. I actually used PP for years and still teach it from time to time, but ever since Apple launched iWork with Keynote, I haven’t found a compelling reason to switch back.
At this year’s MacWorld Conference Apple announced iWork 09. Now in the spirit of full disclosure, I don’t use any of the other apps in iWork except Keynote. If you use Pages, stop reading, look to the left of your screen and take an InDesign Class.
Here are some of the new features of Keynote:
Better Animations and Transitions. Apple has really ramped it up with Text Based Transitions, including Anagram, Slide In and improvements to Shimmer, Sparkle, among others. Slide transitions include the very cool Object Zoom, Object Push, Twist and many more. Even object animations are greatly improved with Magic Move. Click and record the movement for easy animations.
Enhanced Themes. Not that I use themes a whole lot, but these are a very cool way to start a new presentation quickly and just modify for an original look.
3D Charts and animations. This was an unexpected improvement. 3D Charts were around in previous versions, but now the animations are specific to Charts. Watch them pop up and enhance your graphs.
Keynote Remote. This is still a big unknown with me. It has the potential to be cool if 1) you have a iphone and 2) you have a WiFi connection to run your presentation through. A less expensive alternative is to use your Apple Remote.
The only draw backs that I have noticed and its really been an ongoing issue, is that with each new advance, Keynote becomes less and less compatible with PowerPoint. This is a critical issue in mixed usage workflows. You can create a cool preso on a Mac, but then when you export it for your client or coworker to work on in PP, all hope is lost for keeping your cool design. The other is I wish Apple would sell Keynote as a stand alone app, and not part of a package with other useless apps (anyone use Numbers instead of Excel?)

Steve Jobs Responds to Rumors

Monday, January 5th, 2009

Apple has published a letter today from Apple CEO Steve Jobs that addresses speculation surrounding his health. Steve Jobs reveals that he has been recovering from a hormone imbalance that has been causing an unhealthy weight loss.

Dear Apple Community,

For the first time in a decade, I’m getting to spend the holiday season with my family, rather than intensely preparing for a Macworld keynote.

Unfortunately, my decision to have Phil deliver the Macworld keynote set off another flurry of rumors about my health, with some even publishing stories of me on my deathbed.

I’ve decided to share something very personal with the Apple community so that we can all relax and enjoy the show tomorrow.

As many of you know, I have been losing weight throughout 2008. The reason has been a mystery to me and my doctors. A few weeks ago, I decided that getting to the root cause of this and reversing it needed to become my #1 priority.

Fortunately, after further testing, my doctors think they have found the cause – a hormone imbalance that has been “robbing” me of the proteins my body needs to be healthy. Sophisticated blood tests have confirmed this diagnosis.

The remedy for this nutritional problem is relatively simple and straightforward, and I’ve already begun treatment. But, just like I didn’t lose this much weight and body mass in a week or a month, my doctors expect it will take me until late this Spring to regain it. I will continue as Apple’s CEO during my recovery.

I have given more than my all to Apple for the past 11 years now. I will be the first one to step up and tell our Board of Directors if I can no longer continue to fulfill my duties as Apple’s CEO. I hope the Apple community will support me in my recovery and know that I will always put what is best for Apple first.

So now I’ve said more than I wanted to say, and all that I am going to say, about this.

Steve

Apple’s board of directors also distributed the following statement:
It is widely recognized both inside and outside of Apple that Steve Jobs is one of the most talented and effective CEOs in the world.

As we have said before, if there ever comes a day when Steve wants to retire or for other reasons cannot continue to fulfill his duties as Apple’s CEO, you will know it.

Apple is very lucky to have Steve as its leader and CEO, and he deserves our complete and unwavering support during his recuperation. He most certainly has that from Apple and its Board.

What NLE should I learn?

Monday, December 8th, 2008

Some of my students have asked me over the years, which is the best non-linear editor to learn? There is only one answer I can give them.

It depends.

This is not just because I don’t like to give firm answers. The truth is there is a lot of reasons to learn different editing software. Here is the rundown of some of the main editing systems, and their advantages. Also this is biased towards the Milwaukee market, as that is where my current experience comes from. Each market is slightly different. This does not apply to New York or L.A.

Adobe Premiere: They recently had a new release of this software in the new CS4 package. The editor has had some greatly improved functionality, especially in the media browser. The transcription program is neat but awful in terms of accuracy. It works great as part of the Adobe suite, which is such a good package of software that it seems a shame to use all Adobe products except for the editor.

Who uses it? Mostly corporate locations that buy the package as a whole and tell their print graphics designers to learn how to edit using this software that they bought. Also I noticed that when working in D.C. that the government agencies use it a lot.

Good for price and the software has caught up tremendously in the last four years. Still not quite as good as the top dogs but good enough that you will likely not find anything that you can’t do in it that you want. They teach this in a lot of schools which leads to people using this as freelancers but most production houses still are too snobbish to use Premiere. It is cross-platform which is a huge plus.

Apple Final Cut Pro: The Final Cut Pro suite is great. Final Cut Pro is a tremendously useful editor, though it would be nice if it could be transfered more easily to other editing systems (as is true with all of them). Motion 3 is the best yet and is quickly giving After Effects more of a run for its money. Soundtrack has always been a cool tool, and in combination with the Mac software Garageband, makes music making a much easier task. Livetype is by now a dinosaur and should be removed since you can do it all in Motion. DVD Studio Pro needs an upgrade (Blu-ray!!!!) but is still a very powerful authoring tool.

Who uses it? To be perfectly honest, every time I have heard of freelance jobs needed (in general) it has been for Final Cut Pro. Boutique production houses and design firms are gaga for Apple, so they like Final Cut Pro as well. I am ambivalent on this, but I have worked now in Mac shops for the last 7 years. They are gaining traction in bigger firms as well as the suite is quite convenient.

If you have a Mac and you love your Mac, use it. If you want to find the most freelance opportunities in this area, this is probably your safest bet. It will do everything you want and more. If you like PC, then you cannot use this.

Avid Express Pro (or Media Composer): To be honest I have not had the opportunity to even use an Avid in five years. My basis for this is based on my historical use of it. Still the “big” dog of the field, Avid is the top name in video and film editing. That does not necessarily make it the best choice. As more and more places switch over to software based editors, the advantages of the Avid dissipate quickly.

Who uses it? Big ad firms, powerful production houses. If you want the best jobs, know Avid. It looks much more impressive than Final Cut Pro. You aren’t likely to get as many freelance jobs, but these are the decent staff jobs.

Only for the PC (though they sometimes pretend to make MAC versions, everyone knows better). Market share shrinking. But at the end of the day it looks the best on the resume….unless the shop uses only a different editor.

Sony Vegas: Let me say this up front. I have only barely used this. And never for a job. This software is neat and has everything you need in one program (unlike say FCP or Premiere where you really need to go to things like After Effects and Motion). It is also quite popular in Wisconsin (which I hear is partly due to the fact that it was partly developed in the Madison area).

Who uses it? Established freelance veterans. It seems like people who have been at it for some time gravitate to this software. It definitely has some advantages, mainly that as part of the Sony line it interfaces better with its own products which means that Sony cameras and Blu-ray technology is much better placed.

Only for the PC, but cool, cool program. Not very popular so people may not even know what the program is.

So what does this all mean – you still haven’t answered the question.

Basically it does not matter which editor you know, as long as you can edit. Practice as much as possible and at least get your hands on each software. This will give you the basis to edit with any of them – and flexibility is so often the name of the game now.

Making the Case for FileMaker Pro

Wednesday, September 3rd, 2008

C2 is proud to offer an exclusive 5-day course of the Official FileMaker Training Series. Come join Cris Ippolite, one of only 24 authorized FileMaker instructors in the world, as he provides training on all 12 Official FileMaker Training Series modules over 5 days. The FileMaker Training Series is FileMaker’s official curriculum and is not offered elsewhere in Wisconsin. He is very excited to be coming back to his hometown of Milwaukee to teach the series to you!
Training will be held the week of September 15 and each course will be 9 a.m. – 5 p.m. daily.
Seating is limited for this fantastic opportunity! Please contact Kate Barrie @ 414.431.0062 or kate@c2gps.com for more information and pricing detail. We hope to see you all there!

A Word From Cris Ippolite…

FileMaker Pro. Many of you have heard of it or may have worked with it, but did you know it has been in the marketplace for more than 20 years?

In that time, more than 13 million units of FileMaker software have been sold around the world. FileMaker enthusiasts include ALL of the top 50 universities in the U.S., the top 250 U.S. school districts, and 70 of the Fortune 100 companies.

A wholly owned subsidiary of Apple, Inc., FileMaker isn’t just for Mac users anymore! Cross-platform capabilities that run natively on both Mac and Windows platform make FileMaker the premium database software on the market today. It has muscled its way into IT infrastructures in all industries.

Currently on version 9.0, FileMaker underwent a massive database engine redesign in version 7. It allows for multiple “tables” to be combined into a single FileMaker file. This feature has cut down both development time and cost, and has brought forward some of the most powerful features in the product’s history.

Most notably, FileMaker now allows for up to 250 concurrent users via Server, full support for php Web integration and a partnership with the MySQL alliance that spawned a connection kit (called “ESS”), allowing for LIVE connections to data sources running MySQL, SQL Server and Oracle!

Imagine connecting to your organization’s SQL Server, Oracle and MySQL databases from one place, and using the information without additional programming. With FileMaker, you can! FileMaker Pro 9 creates secure easy one-way or two-way connections to External SQL Data Sources. The SQL data acts just like FileMaker data. Create custom reports, add calculations and other fields, build relationships with existing FileMaker data, using the easy-to-use tools of FileMaker Pro.

There are new layout objects that allow you to do everything from automatically resizing your layouts to embedding FULL web viewing functionality into your existing FileMaker database layouts.

With the PHP features of the FileMaker Server, you can publish information to external websites, gather information from Web users, and create new solutions combining a Web-based front-end with a rich, FileMaker Pro back-end. Support for popular open source Web standards PHP and XSLT means you and your Web developer will be reading and writing live FileMaker Pro data in no time.

All these reasons support FileMaker Pro as the #1 best-selling standalone database for both Macintosh and Windows.

When business professionals outgrow spreadsheets, they depend on FileMaker products. Customizing, creating, and sharing easy-to-use software solutions is quick and easy. FileMaker is powerful enough to integrate with corporate data environments, share on the web, and evolve with your needs.

Want to learn more about using FileMaker or take your FileMaker skills to the next level?


Apple/Photoshop Saving Error

Wednesday, June 4th, 2008

From John Knack at Adobe:

I’ve been getting quite a few inquiries about problems saving files from Photoshop directly to network drives when using the recently released Mac OS 10.5.3. (I’m told the issue can affect InDesign and maybe other apps as well.)

The short story is that we’ve been working closely with Apple to troubleshoot the issue and have identified the cause. Apple is working on a fix, and we expect they’ll release it in the next System Update.

The slightly longer story is that saving directly to a network is a generally bad idea. Here’s what I’ve heard from a contact in engineering:

Directly writing to a network filing system adds a level of complexity, which includes timing issues, network noise, performance, and other potential issues. We’ve occasionally run into bugs with different configurations/combinations, but as there are too many variants for us to reliably test and certify all the clients, servers, hardware and software, we recommend the safer course of working with files locally and then copying them up to a file server when you’re done. While directly reading/writing to network file systems should work in theory, and while we do some limited testing in the most popular configurations to verify that it does, we can not certify that it will work reliably in your configuration.

I know that’s not what you may want to hear, but it’s a long-standing advisory. Saving files locally, then transferring them, offers better performance as well as greater reliability.

Cool way to learn keyboard shortcuts

Thursday, May 22nd, 2008

Another reason for me to geek out. Now everyone can learn the Apple keyboard shortcuts for Photoshop, Aperture, Final Cut Pro, After Effects and more! Photojojo has release a new series of keyboard skins for your mac with pre-printed shortcuts for many popular applications! Check out the product and order here!

FAQ: Final Cut Pro: Transitions

Wednesday, March 26th, 2008

One of the most common questions I get from former students in Final Cut Pro is this:

How come sometimes I can’t put my transition in the place that I want it? (see pic)

Well, while there could be a couple of reasons, the most common reason is due to “handles” on the media.

Imagine it like this.

The way a transition works, in this case the cross dissolve, it grabs the 15 frames before and after the edit point for both clips to create an evenly fading transition.

Since there is available data on either side, Final Cut Pro will use these frames to form part of the transition, although you originally edited this out. So be warned, if you are using transitions, be mindful of what is in this handle. There is probably a reason you edited it in the first place.

You may come across flashes of other shots, or an errant clapper, because of this.

If you have two clips together that do not have an extra 15 frames in either direction, then this transition cannot occur.

See how in the diagram, the transition does not have enough frames from Clip 2 to make a full transition. You could choose to have this transition “begin at the edit”, as there is more than enough handle in Clip 1 to accommodate.

If your transition cannot happen, you will likely see the little ‘x’ next to the transition icon inside of Final Cut Pro.

One neat thing about Premiere (though I am working on memory here – so don’t quote me) is that it will interpret every frame before the first (or everyone after the last) as a freeze frame. This allows the transition to happen, even if you do not have the handles.

Part of the reason I bring this up, is that this can be a good workaround if you need to squeeze a couple of extra frames out of a transition. Make a freeze frame before or after the clip that needs it, then nest (precompose) it. Now the transition should work.

If all else is failing – make sure you are not putting an audio transition on the video, or vice versa. Trust me – I do this more times than I can count.

The Coolest (and most expensive) Keyboard EVER!

Friday, February 29th, 2008

Ok I’m not one to geek out, but Fritz brought this to my attention a while ago and I just saw a live demo of this and it blew my freakin mind…

It is called Optimus Maximus by design studio Art. Lebedev and it is the most unique keyboard you will ever see.

Optimus Maximus at the start looks like a normal keyboard, but the keys are blank, nice prank right? What is really going is each key is an O-LED mini screen. Which means using the included interface software, you can create your own customized keyboard in minutes!

Check out a demonstration by the folks at Engadget as they take Optimus Maximus through its paces. I love the graffiti effect using the application. Also check out the Optimus Maxiumus interactive online demo here.

For $462.00 (us) it will pay for itself with adaptable workflows especially for web and video artists. Imagine never having to have an editing keyboard for videos?

Optimus Maximus even has an SDIMM slot for saving your custom keyboard setups and sharing with others. Even if this is version 1.0 for the public, it is a great asset and really will open up the future of our tech. Imagine Apple or HP buying into this technology and soon all keyboards will customize with each application.

And if that weren’t enough, Art.Lebedev is already working on a full LED keyboard called Optimus Tactus. Which will be able to have custom size keys and digital video screen right on the keyboard.

Find out more here. BOOM! There went my mind, just in time for the weekend…

Mac OS 10.5.2 fixes Photoshop transform-crop problems

Monday, February 11th, 2008

Mac OS 10.5 (Leopard) users who use Photoshop have been patiently waiting for some annoying little bugs to be squashed. The wait is over, the recently released Mac OS 10.5.2 update fixes the transform-crop-numeric settings bug where any numeric transformation or setting in the options bar would only work properly the first time. I’ve only had a short time to test it but it seems to work perfectly. I always recommend waiting a week or more before performing any major update to a working production machine – let everyone else do the bug testing while you get your work out on time.

Way to go Apple!

Tuesday, January 22nd, 2008

As a tongue-in-cheek joke I posted on my personal blog that Apple was an evil corporation.

Let me explain … I LOVE Apple actually. The only reason I own a non-iPod is that the gym requires an FM Transmitter to listen to the TVs and they don’t make one on any version of the iPods. I have been toying with the idea of purchasing one since I buy 99.9% of my music from iTunes and the conversion time is very tedious.

So imagine my surprise when I went to burn a CD with Ingrid Michaelson’s album Girls & Boys along with the cute-sy remake track off the Juno soundtrack “Anyone Else But You” by Michael Cera & Ellen Page and got a “MEDIUM WRITE ERROR” message. It wasn’t the CD’s, it wasn’t the burner (tried data CDs and burning some of my MP3 and AIFF files and they were fine) – it was iTunes & the purchased music. After struggling and asking for support, I found no resolve except chit-chat among forums that this is a well-known problem and the bug fix should be out Friday or early February.

I joked on my personal blog that Apple was now making me go out and buy an iPod and a power adaptor for my car so I could listen to the music after making me purchase the upgraded Leopard and what-not.

Within one minute (literally! – Posted at 4:24, response posted at 4:25! – An Apple backer had already found the post and offered suggestions to what it might actually be and included links to Apple Geniuses. Brilliant. That’s customer service! If it wasn’t an Apple employee, you have to have respect for a company that harnesses such loyalty that even users are looking out for their name – tongue and cheek or not!

Apple does it again

Thursday, January 17th, 2008

Oh come on, like you are surprised. Steve Jobs has done it again. This time in two big tech announcements at MacWorld. (Ok there were several, but these are the two that got me tweaked). The first is, the new Apple Mac Air (not to be confused with Adobe Air). This has taken the laptop and really pushed the envelope. Speaking of envelope, lets start with that. This thing is so small (0.75″ x 14″) that it can fit inside an envelope. It weighs 3 lbs. and has the latest in wireless tech. It has a battery with 5 hours of life. The processor is as thin as a dime and as big as a nickel, but it runs at 1.8 ghz! The display is a 13.3″ LCD which means less power and instant on. The ports are retractable on the side which is a great space saver and makes this look really sleek. Heres the best part – it starts at only $1800.00.

I can go on and on and geek out til my fingers go numb, but you can check it out for yourself, including the great commercial at Apple’s websiteThis is going to really spark some great competition with other manufacturers and I am looking forward to seeing someone try to top this.

The next item stems from user complaints. The great Time Machine feature in Leopard is handy when you work on a tower and have a hard drive handy to plug in when needed. However, laptop users, like myself, found it cumbersome to drag around an external to run backups when working on-site. Now Apple has given us an answer. And it is called Time Capsule.

Time Capsule works in conjunction with Time Machine allowing you to make wireless backups. The key to this is the wireless 500GB or 1TB hard drive. Time Capsule can synch, back up and store files for each Leopard-based Mac on your wireless network.

Time Capsule can also be used as your wireless hub since it has a full-featured 802.11n Wi-Fi base station built right in. No need to go out and buy an Airport Base. You can find out more at Apple’s website. Time Capsule retails at $299 for the 500GB model or $499 for a 1TB hard drive. Both will be shipping in two weeks.

I get the impression after watching the MacWorld Keynote, that these two items will really become the next gen benchmark for other tech. Now I just have to save up so I can go out and buy all of these toys!!

Shut Down.

Friday, December 21st, 2007

Check out the link above – the popular Apple rumor web site www.thinksecret.com that launched surprise revelations on the iPod, iPhone and more – has met it’s end.

Where is this file saved?

Wednesday, December 19th, 2007

Did you Mac users ever find yourself asking that? Here is an easy way to find out without going to “Save As…” or guessing.

At the top of any document opened from your system is the title of the file. (in the example below it is “moto3.fla” with a little Flash badge in front of the name)

If you put your cursor over the name and hold down the Command key (sometimes called the Apple key) you will get a file path showing where exactly that file is. (see below)

(This also works in finder windows on the desktop)


Now this works a little different on things like web pages which are not stored on your computer. If you are in your web browser and you look at the top of the document window you will see the title the the web developer gave this document (it is not the name of the file saved on the webserver)

If you Command-Click on the title of a web page, you get the file path on the web server itself

Final Cut Studio: Apple ProRes 422

Wednesday, November 7th, 2007

So you have opened up your new Final Cut Studio 2 Box and you have been playing with Final Cut. Sure, the open format timeline and the motion templates are really cool. But what the heck is ProRes 422, and why is it a big deal?

Originally on this post I had put a link to the Apple White Page which talked about the codec, but within an hour, the link had gone down. Interesting…

Anyway, check out this long article by Creative Cow member, Tim Wilson: Click here

Well now the site for the white paper is back up, so you can see it here: Click here

Final Cut Pro – Quick Tip #1

Tuesday, October 30th, 2007

You know how useful markers are in the timeline – giving you the ability to jump between areas of a sequence like chapters in a DVD (and also useful for making those DVD chapters)? This is only one application of the marker.

Especially when working with a long clip of voiceover, using markers can be helpful for making quick subclips…without specifically making subclips. As well as creating the markers, they can be quickly renamed or simply numbered to match the block numbers in scripts.

You can use the markers in the browser just like subclips, moving them directly down into the timeline as a pretrimmed clip. Each marker’s length is equal to the input of that marker to the in point of the next marker.

Next time you are working with long clips think about using markers. It will organize your work and is very quick!

 

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