Archive for the ‘After Effects’ Category

Future of Web, Interactive, and Motion Graphics: Eisner Museum Talk

Monday, February 8th, 2010


On Wednesday, four panelists spoke at the The Eisner American Museum of Advertising & Design about the broad topics of Web, Interactive and Motion Graphics. I was lucky enough to be one of the participating panelists and it was an exciting opportunity to talk with people in the community about the options, future, and general information concerning these areas of the creative world.

We had a good turnout of about 50 people. Most of the attendees were students at MIAD and MATC, not surprising since the event was part of the College Lecture Series, but there were also some professionals from the community there.

It was an interesting time as the four panelists had a great variety of experiences and focus that they brought to the discussion. The panelists were Micah Eberman of Fullhouse Interactive, Jason Evans of GS Design, Nick Waraska of Blend Studios, and me (Alexander Lucas of C2 Graphics and Stamm Media). The experiences touted included: high-end broadcast motion graphics, interactive websites, iPhone apps, trade show displays, and flash applications.

The panel agreed for the most part on the prepared questions concerning whether you need to continue to educate yourself, where to find the sites, and the importance of knowing broad skills but also specializing in a specific skill.

One topic brought up at the panel, of no great surprise, was the question of the future with the iPad and other tablet computers. There was again mostly consensus on this issue that while the iPad does not support Flash that it would not be an instant Flash killer and that it will take a long lumbering time for the internet to fully embrace HTML 5.

The two biggest questions which split the panel, however, concerned the role of social media and the future of the web/interactive/motion graphics space. Some of the panelists saw social media as being of the most importance and something that is the wave of future revenue and expression, while others admitting not really having a firm grip on where to proceed in this realm and what to do with it.

The only main consensus in the future debate: a sense of uncertainty of exactly what will happen. But that is what makes the future so interesting. We can still be surprised and be creative with emerging technologies.

We Want to Know What YOU Want to Know!

Tuesday, December 15th, 2009

Our 2010 $5 Friday series starts up again in January and C2 wants to pick your brain! What do you want to learn more about? Hot topics? Industry trends? Simply comment on our blog, with any and all ideas you may have! All respondents will be entered in a drawing for an Annual Pass to our 2010 $5 Friday series! We look forward to seeing you and learning with you in 2010!

Ideas we’ve been rolling around include blogging for professionals, 3D techniques, Video, mobile app development, After Effects and more! What do YOU think?

After Effects Tips & Tricks

Tuesday, September 1st, 2009

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Creating a perfect motion path in After Effects.

The common way of creating a motion path in After Effects is to click on the stopwatch and move an element around in the Composition Window.  For those more adventurous, they might take out the pen tool to custom create points on the path and move the handles.

There is a much quicker and neater way to accomplish this and at the same time evenly distribute the points through time.

spiral in illustratorLet’s say we have a spaceman who has stumbled upon a Black Hole (or if that is too scary let’s say it is a Worm Hole).  He is going to get sucked into this hole, much like water circles down the drain.   If only there was a way too…

Let me cut you off right there.  The “motion” that we want here is perfectly expressed by a spiral, which conveniently is a tool in Illustrator.  If you create a composition that is the same size as your comp, you can just draw a spiral that neatly fills the artboard. Select and copy it.

Copy is nothing without paste.  Inside of After Effects, select your layer AND then select the POSITION value.  If you don’t do this step it will not work.  Now Paste.  you should get a tight set of keyframes all fitting within two seconds.

Notice if you pull one of the edge keyframes out, the others follow proportionally.  roving keyframes in after effectsIf you have never seen this before, these are known as Roving Keyframes.

Now if you play back your comp, you spaceman should be going into the spiral.  Add a little decreasing scale animation and you should have a quick and easy animation of your spaceman being sucked into the vortex.

Note: This can also be done by copying path shapes inside of After Effects and pasting them onto the layers position value.  In this case Illustrator is preferred because of the spiral shape.

Video User Groups

Tuesday, June 9th, 2009

While our fair city of Milwaukee hosts its share of web and print related user groups and events, there seems to be a noticeable lack of video or motion graphics related user groups.  This may be due partly to the nature of the craft where we would rather watch video podcasts about the subject than sit in a lecture style room, but it still begs the question.

Why is video not as loved?

I personally love editing and creating motion graphics and I know there are others of you out there that share my passion.  If you are interested in meet-ups or know of good ones that already exist I welcome comment to this post.  Whether it is Final Cut Pro, Avid, Premiere, After Effects, Vegas, or something else that gets your heart beating  – please sound off.

Video needs a good home.  And Milwaukee is a good home.

I Make Videos, Why Should I Upgrade?

Thursday, November 13th, 2008

Ok, so maybe you are like me and you see these new enhancements to Flash, Dreamweaver, Photoshop, etc. and you wonder why, as a video editor/graphics person, you should upgrade to Creative Suite 4. There are not nearly as many ’sexy’ updates on the video side as we may have seen before. I know exactly what you are saying:

“With Cs3, After Effects had some really neat updates to After Effects like the Puppet Tool and the Brainstorm function. This version just seems to have some dumb filter called Cartoon.”

Ok, yes. Cartoon is dare I say it…pretty useless. Someone else has mentioned it out there but it is basically there to do the Richard Linklater effect which is apparently now in vogue now with those Charles Schwab commercials (which seems to be a really silly use of the effect, in my opinion).

Before I get to After Effects, let me start with Premiere. As a Final Cut Editor, reading down the list of improvements, I certainly notice a lot of, let’s say, similar functions which have been added to the product. But they really were worth adding on. The functionality has been greatly improved.

The neatest part of Premiere however is definitely the Speech/Transcription function which labels clips with searchable metadata. Now before you get out your credit card – this is not an effective automatic transcription. But it is pretty good. And you can edit the text easily. Plus you can just edit based upon these words which are tagged to the time code…. I hope I am not the only one that thinks that this is incredible. It is not yet perfect – but it is sure pretty cool.

Now back to After Effects – two really neat things (neither having to do with Cartoon). Ok not the most interesting thing, but very useful: Improved composition navigation. Mini-flowcharts and keyboard shortcuts makes it SO much easier to jump into your precomps. I have always hated how difficult it is to go four comps deep…and I really like to precomp.

Second thing, Unified Camera tool. Ok this should have been a no-brainer several versions ago, but Adobe put this into place where you do not need to switch between three different camera tools, just to change between x, y , and z movement. I was amazed at how much easier Motion’s camera was when it came out, but this is now once again comparable. All you need is a three button mouse and it work much like some popular 3-D programs work.

So final verdict…you’ll be fine with CS3 if you don’t want to outlay the cash. If you are CS2 or earlier, it is definitely worth it for you to update. These updates are not nearly as essential as something like Flash CS4 is or as I felt AE 6.5 and 7 were – but still cool enough to venture a look.

Oh – and all of the products now have trials available for download….FINALLY.

CTC Conference After Effects Hands-on Files

Monday, August 18th, 2008

For everyone who was in the After Effects hands-on, here is a link to many of the files that we worked on – and some we did not get to:

http://mythtaken.com/CTC/

If anyone in the class wants to contact me – feel free to email me at:
alex@c2gps.com

Cool way to learn keyboard shortcuts

Thursday, May 22nd, 2008

Another reason for me to geek out. Now everyone can learn the Apple keyboard shortcuts for Photoshop, Aperture, Final Cut Pro, After Effects and more! Photojojo has release a new series of keyboard skins for your mac with pre-printed shortcuts for many popular applications! Check out the product and order here!

 

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