Archive for December, 2009

Top Photoshop Blunders of the Decade…

Tuesday, December 29th, 2009

With the end of the decade quickly approaching, I decided to look back at the year in Photoshop and take stock.

While Photoshop has made great strides since version 5.5 – there were no healing tools and adjustment layers in sight, but we did get ImageReady and save for web. Soon after, we got Liquify and vector shapes (2000); Camera Raw (2002); new filters and adjustments; Smart Objects (2005) and more.

However, while Photoshop managed to make the news more than a few times in the past decade, it usually wasn’t for the advancement of the app. It was usually for some trickery by a devious person using our favorite app.

Here is my favorite fakes from the past 10 years. Keep in mind, these are not “Oops” these were distributed with all seriousness.

Anyone remember the fake 9/11 tourist guy?

Or how about the Reuters News Service image from Beirut? (Please tell me you can see the cloned smoke)

Or the fact that Iran only fired three missiles instead of four, or as Jon Stewart called it “The Photoshop of War”…

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Or China’s News Service giving us a fake Kim Jong Il? (Check out his shadow)

The Supreme Commander of the North Korean People's Army poses with soldiers after he watched a military drill

Or their attempt at making Bejing look like a “Green City” with the addition of cloned birds…

Microsoft decided to go with another person in the Polish version of this ad, but didn’t even change the hand/body?

But my all time favorite has to be the attempt by magazines to make celebrities look gorgeous instead of natural…

Christmas Picto-Riddle from Burton & Mayer

Tuesday, December 22nd, 2009

Today we received a clever Christmas card from Burton & Mayer Printing with design by GS Design.

See if you can figure out the hidden holiday meaning of each card.

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Give up? Answers Here

Free Christmas for Designers!

Tuesday, December 22nd, 2009

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Everyone loves something free and designers are not an exception. Below are a collection of free Christmas tutorials, wallpaper, stockphotos and fonts for your holiday pleasure.

Creative Transition Seminar Series: REGISTRATION OPEN

Tuesday, December 15th, 2009

With the new year approaching, C2 wants to prepare you for the rapidly evolving design landscape with our Creative Transitions Seminar Series, aka CTSS.  In just 3 hours a month we can help you elevate your knowledge and broaden your skill set to make sure you evolve as fast as this industry!

Early Bird registration is open for individual seminars, or you can save a bundle by buying a bundle*!

Early Bird Registration Single Seminar: $59

Early Bird Registration Seminar Series Bundle (all 4): $189

After Early Bird Registration: Single Seminar: $69

After Early Bird Registration Seminar Series Bundle (all 4): $229

* Bundles are transferable, share with colleagues or come to all 4 yourself!

Milwaukee series

Herding Cats! Best Practices for Wrangling Web and Interactive Projects 1/19  9-12 am

Best Practices in Building HTML Emails 2/9  9-12 am

Digital Content Development and Delivery That Maximizes ROI 3/9  9-12 am

Realizing Results Demands Real Measurement: AIDA 4/13  9-12 am

CTSS Bundle (all 4 seminars)

Madison series

Herding Cats! Best Practices for Wrangling Web and Interactive Projects 1/26  9-12 am

Best Practices in Building HTML Emails 2/23 9-12 am

Digital Content Development and Delivery That Maximizes ROI 3/23  9-12 am

Realizing Results Demands Real Measurement: AIDA 4/27 9-12 am

Madison CTSS Bundle (all 4 seminars)

I Love The Eisner 2010: The XO returns

Tuesday, December 15th, 2009

xoxo logoAn annual bash that people buzz about for weeks prior and years after, that’s the XO! This annual fundraiser supports The Eisner: American Museum of Advertising & Design, a gem found only in Milwaukee!

Book this date now:  February 19, 2010

Get your mask ready, this years’ party is a masquerade ball! The question becomes: do you don your mask ala Mardi Gras or Eyes Wide Shut? Can’t wait to find out!

Interested in volunteering?

Email Cori Coffman: ccoffman@eisnermuseum.org

We Want to Know What YOU Want to Know!

Tuesday, December 15th, 2009

Our 2010 $5 Friday series starts up again in January and C2 wants to pick your brain! What do you want to learn more about? Hot topics? Industry trends? Simply comment on our blog, with any and all ideas you may have! All respondents will be entered in a drawing for an Annual Pass to our 2010 $5 Friday series! We look forward to seeing you and learning with you in 2010!

Ideas we’ve been rolling around include blogging for professionals, 3D techniques, Video, mobile app development, After Effects and more! What do YOU think?

Hot Talent-December

Tuesday, December 15th, 2009

Get Your Just Desserts!
Everyone knows that desserts is “stressed” spelled backwards.  Coincidence? I think not.  It’s also no secret that as responsibilities increase, so does the stress. We all need to find ways to manage and reduce the stress and pressure in our lives.  The holiday seasons add even more pressure professionally, personally and socially to get work done before year-end. To have a “Hallmark” not a “Simpson” Christmas, to decorate perfectly, to be a great host or guest, and too often, to buy “the right stuff.”  What do you do to de-stress?  Let us know – we’d love to learn new tips and tricks ourselves.  And, although Christmas cookies and desserts may not be the most helpful way to manage your stress this time of year, make sure you get your “just desserts” and find time to chill!

Let C2 help you chill and meet your year end deadlines, or give your staff some extra time and space to enjoy the holidays this year with extra talent.  Remember, it’s free! There’s no expense incurred for interviewing talent sourced by C2 until you’re ready to hire. C2 can advertise (blind if you prefer) screen, interview, assess skills, and reference check candidates for you, all at no cost, before a qualified resume crosses your desk.  Take a look at a few examples of our “fresh talent,” or contact Luci or Erica, your Talent Scouts at C2 for more info.

Milwaukee Talent

Senior Designer with Visual Virtuosity

Keith U is a professional senior-level graphic designer with superb ideation skills. keith_uHe tested at the professional level+ in Illustrator and Photoshop and Professional in InDesign.  He has an exceptional eye for clean, modern design and balances his B2B work with edgy contemporary design for CD designs. Keith has designed print ads, sales collateral, CD covers, newsletters, annual reports and more. He is highly creative and works well on a team.  He has a dry wit and keen sense of humor.  Keith is available full or part-time, for projects, temp to hire, or direct hire.

Practical Professional in Print, Web & Multi-media

john_pJon P is an award winning graphic and web designer with experience in print, web design and multi-media creation.  He tested at the C2 professional level Photoshop and Flash and web development, and at professional+ in Illustrator. Jon has a strong understanding of the creative and technical aspects of web site development. Jon is available full or part-time, for projects, temp to hire or direct hire.

Word Up! This Designer is Righteous Good

paul_r

Paul R tested at the professional+ level in Illustrator, Photoshop and Flash and at professional in InDesign.  He is a talented designer with strong production skills, and a great portfolio including packaging,  logos and branding, ad campaigns and several web site designs.  Paul performs with speed, accuracy and a delightful attitude.   He is available full or part time, for projects, temp to hire or on a direct hire basis.

Madison Talent

Awesome  Senior Level Designer with Acerbic Wit!

aaron_pAaron P. is a brilliant senior-level designer/art director who can do it all!! He has a book demonstrating his savvy, witty eye for good design along with strong technical skills.  He tested at the professional level in Photoshop, professional+ in Illustrator and exceptional in InDesign.  Aaron excels at concepting and ideation, web design, typesetting, directing a  team of free lancers and photo shoots, establishing brand standards, and more. He is an experienced Fireworks user and is currently learning Flash and Dreamweaver.  Aaron is available full or part-time, for projects, temp to hire, or direct hire.

Designers & Developers: Best Practices Merge Form and Function

Tuesday, December 15th, 2009

Part 1 of a 3 Part Series

What do clients want from a web site? EVERYTHING! They want it to reflect their brand, look better than all their competitors, be slick, fast, functional (shopping carts, blogs, forums and other interactive bells and whistles), all while facilitating a #1 rank on Google and Yahoo – AND they want to be able to change some of the pictures and content themselves once the site is complete.  On a tight time line and tight budget.

In an effort to keep pace with the rapidly growing demands of clients, two opposing industry trends emerged somewhat simultaneously:  professionals interested in working on web sites focused on either web design or web development (I’m using the term development broadly to describe coders, programmers and presentation layer professionals – the people who put FUN in functional web sites). About the same time, clients/employers began to expect that they could hire a web designer who would know HTML/CSS and Flash (and perhaps PHP or ASP.NET), or hire a web developer with ideation, typography and design skills.  We at C2 call those folks RARE birds. They’re out there, but they are the exception, not the norm.

Is it reasonable to expect to find those divergent skill sets in one person?  Ask an employer/client, they’ll say YES!!  Ask your typical designer or developer and they’ll recommend that employers/clients build a team of specialists to create a site together.

Part 1 of this 3 part series starts to explore the different viewpoints of designers and developers, which we hope will result in identifying best practices for web design/development, to better the outcome for ALL.

I took a poll (I said be brief like on Twitter, but didn’t actually count to make sure the answers were 140 characters or less) of several designers and developers (including a couple of the aforementioned rare birds).

Christina DeCheck

Who are you?

Loyal Mac User, planner and creative thinker. I’m addicted to change, variety and learning new things. I consider myself to be a ‘work in progress’.

What is your professional sweet spot?

Versatility. I wouldn’t say I am an expert at anything, but I have a general idea about a lot of design and photography related things. What I don’t know I am willing to learn. I admit my weaknesses and take criticism for the common goal of producing good work.

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

Knowing how to communicate what you want to get out of a project, when you don’t necessarily understand the steps to get to the final goal. A designer and developer think differently and being able to understand how to make each other’s jobs easier is an important step to take. (this is kinda adapted from working with clients in general…)

What does it look like when the collaboration works well?

I’m not sure I’ve seen it work yet. Give me a few more months in corporate America and maybe I’ll have a better answer. ;)

DeChazier Stokes-Johnson

Who are you?

Art Director at JWD-Creative

What is your professional sweet spot?

Typography (classic and custom), thoughtful conceptually-driven/detail-oriented design.

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

For me it would be making sure that the integrity of the design is communicated properly.

What does it look like when the collaboration works well?

When the design and navigation melts away and the content is effortlessly acquired.

Devon Smullen

Who are you?

Designer with over 15 years experience in print and web design with (very) solid skills in HTML/CSS, JS and Flash

What is your professional sweet spot?

Where the technical and aesthetic are one.

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

Developers often take the easy-but-not-as-beautiful path rather than the difficult-but-way-cool-looking path.

What does it look like when the collaboration works well?

When collaboration between a designer and developer works well, the end product is well-structured, highly-usable, accessibility-compliant, SEO-friendly, unobtrusively-coded and DROP DEAD GORGEOUS!

Ed Knutson

Who are you?

I’m a Java/PHP/Drupal/JavaScript developer recently transitioned to mobile apps, mainly iPhone.

What is your professional sweet spot?

Getting the requirements from the customer and bringing them to the software people. I have people skills.

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

The challenge is usually getting variable sized content into a fixed sized space. Getting designers to understand constraints they impose.

What does it look like when the collaboration works well?

You get a site/app that is functional, flexible and aesthetically pleasing.

Matt Richardson

Who are you?

Technology strategist with a passion for community and creativity.

What is your professional sweet spot?

Integrating with strategic plans to help organizations meet objectives with information management and communication plans.

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

Communication either way. Getting the needs and intent across, and getting on the same page.

What does it look like when the collaboration works well?

It looks like it should, works like it should, and everyone is proud of the results.

Romke De Haan

Who are you?

Design AND Developer (prefer to be called a Technical Architect)

What is your professional sweet spot?

Flash Platform Development/Motion Design

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

Not understanding the rules of each discipline.

What does it look like when the collaboration works well?

Someone who respects your knowledge but also not afraid to give an opinion

Wren Bach

Who are you?

Creative/Art director for Discovery World, former CD, AD and graphic designer for advertising agencies in Milwaukee, LA and Toronto areas.

What is your professional sweet spot?

Well thought out, simple concepts that delve into deeper content and translate across all media. Whether print, collateral, environmental, broadcast or interactive.

From YOUR perspective, what is the most challenging aspect of working with a developer or designer?

Two major hurtles that I have come across:

Aesthetic. Not enough developers have the attention to visual detail that a traditional designer or production artist would have, which comes directly from not working hand-in-hand with the creative team. Many developers have been secluded and not part of the concept and execution process.

This point leads to my second challenge with developers, having little knowledge or training in communicating with an audience. For awhile there was just putting out the coolest code innovations (eg. refer to the era of flash intros) rather than looking at interactive sites that the audience may/or may not use as a tool or as a point of reference in their lifestyle. Something that is the groundwork in traditional media.

However, this is changing. The more creative directors and art directors trust & include the talents & knowledge of their developers, and the the developer understands that the CD or AD is there to improve and push the work, communication and the work itself improves and innovates the use of this media within the larger context.

What does it look like when the collaboration works well?

Inclusion, listening, trust and respect by both parties. It’s that simple.

Look for Parts 2 & 3 next year!

Part 2: Developer/designer roundtable: Topics: trends in web technology, collaborative challenges and successes.

Part 3: Workshop announcement: Some of the brightest minds from each side of the industry will create evening workshops to share best practices and network.

Creative How To: Polaroid Collage with InDesign

Tuesday, December 15th, 2009

Creating a collage of photos might seem like a job for Photoshop, but InDesign can create amazing results too. Follow these simple step by step instuctions on how to create your own Polaroid photo collage using Adobe InDesign.

Creating the Layout

1-photo

1. Start by choosing an interesting photo and placing it inside InDesign.

2. Select the photo and go to window > automation > scripts. Navigate to the JavaScript folder and double-click on makegrid.jsx
Enter 2 Rows and 3 columns with 0 gutters. Remember to have the two check-boxes underneath checked.

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3. Rotate and position each of the photos into an appealing overlap.

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Create the Polaroid effect

1. Select 1 of the photos and put a 30pt border aligned to the outside (using the stroke panel). Be sure the change the strokes color to a very light gray (around 5%).

2. With the photo still selected go to the effects panel and choose directional feather from the panel menu. In the feather widths increase the top, left and right to 18pt. Be sure to change the Choke to 100%.

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3. Next, go to Drop Shadow and change the settings to an appealing shadow. I recommend lowering the opacity to 50%. Be sure to turn on “shadow honors other effects” to create a realistic looking drop shadow.

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4. Create an object style of this Polaroid by selecting the finished photo and choosing “new object style” from the object styles panel menu. Name the style Polaroid and apply to to all of the photos to finish your layout.

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Faking HDR Using Adobe Camera Raw

Wednesday, December 9th, 2009

This technique is great for amping up your images using Camera Raw. You can even use this on jpegs!

Fixing a Photo Part 3: Selective Color

Friday, December 4th, 2009

So now that you have a photo that you want to share, why not take it to the next level and add some emphasis?

First, take your photo and choose what area you want to add or remove color from.

Next,  add a Black and White adjustment layer (either using the Adjustments Panel in CS4 or the button at the bottom of the Layers Panel in CS3). Adjust your tone for a nice, rich grayscale image.

Finally,  using your paintbrush paint black into the Adjustment Layer’s mask, bringing the original color back.

You will be amazed at how much the color pops when you use this technique.

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BONUS: To create a vintage sepia-tone effect, check the “Tint” box in the Black and White settings.

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